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In 1954, Mitchell moved to Ibiza, Spain. She lived in the small expat community, mingling with other artists and developing her abstract painting style. For several years, she lived with Danish sculptor Erik Rahr, whose move from realism to abstraction influenced her work. At this time, Mitchell was influenced by the Cubists Braque and Picasso, and the Surrealist shapes of Miro. Throughout her time in Spain she explored hard-edge abstraction, utilizing the organization and precision of her academic background in a Modernist expression. She was endlessly inspired by the beauty of the Mediterranean- the local people, vivid colors, and organic shapes of the landscape. At one point studioless, Mitchell completed a series of abstract drawings which she developed into paintings upon her return to the U.S. in 1970.Sign up to learn about new collections and upcoming events