Les Géorgiques de Virgile (The Georgics of Virgil) Series
1937-44 Wood Engraving


Aristide Maillol (1861-1941)

From Series Les Géorgiques de Virgile (The Georgics of Virgil) 
Wood Engraving on Paper
15"x19" framed, 5.25"x3.75" unframed 

Edition of 750. Estate stamped lower left with artist's initial. Framed in a restored vintage wood frame with a dark walnut stain using cream linen archival matting with spacers behind conservation clear glass. Excellent vintage condition.

From the estate of Edyth and Phillip Bassett. 

Aristide Maillol was a French artist known for his influence on modern sculpture, breaking traditional methods in the field and highlighting the use of simplified shapes and forms. 

Maillol left boarding school in 1879 to return home where he resolved to become a professional artist. Two years later he enrolled in art classes at the nearby Musée Hyacinthe Rigaud, eventually finishing his studies at École des Beaux-Arts in 1885. Maillol was deeply inspired by the work of the modernist painter Paul Gauguin, stating, “Gauguin's painting was a revelation to me. Instead of enlightening me, the École des Beaux-Arts had thrown a veil over my eyes.” Maillol soon set up his own house and studio in the Villeneuve Saint-Georges section of Paris which would become the well known gathering place for the Nabi artist group and others including Henri Matisse (who became a lifelong friend) and Pablo Picasso.

Aristide Maillol helped alter fixed ideas about modern sculpture. Looking back in history to the idealized forms of classical sculpture, he created modern works that were not committed to capturing impressions of motion. Rather than striving to render the "living" figure, Maillol created what author Bertrand Lorquin called "pure sculpture based on the body's architecture and on a harmony between volumes". His drive towards more idealized, simplified, forms provided the foundation for the next generation of sculptors. His influence can be traced in the sculptures of Jean Arp, Constantin Brancusi, and Henry Moore. 

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