Chorus Line Rehearsal New Yorker Illustration
1930's Ink

#C7812

Sydney Engelberg

This 1930's ink on paper theatrical scene is an original New Yorker illustration–paired here with the smaller clipping from the magazine itself–by Sydney Engelberg (1912-1997). Engelberg was a painter and illustrator who primarily worked within the American Scene tradition during the first half of the 20th century. He blended aspects of Regionalism, Social Realism, and occasionally Magic Realism to create uniquely American narratives. Active during the peak of American Scene painting, Engelberg was a contemporary—and at times a student—of the movement’s key artist, Thomas Hart Benton (1889–1975). Engelberg combined the more conservative Regionalism with elements of the left-leaning Social Realism, while also occasionally incorporating the surreal, dreamlike qualities of Magic Realism. Most of Engelberg’s work was created during his active service in WWII and through his illustrations for The New Yorker magazine, both before and after the war. However, like the mischievous harlequins that appear and disappear throughout his oeuvre, Engelberg hid a secret: he was a closeted gay man until he met his lifelong partner in the early 1950s. His hidden identity would influence how he experienced and depicted the "American Scene," both at home and at war. 

C. 1930's
Ink on Paper
10"x16" unframed, 11.5"x17.5" framed 

Signed lower right. Excellent vintage condition. Framed in a contemporary wood frame using archival matting and archival clear spacers behind conservation clear glass.