Vintage Victorian-Gothic House
1950-60s Ink Drawing
#22958
Sold
$0$445
Alysanne McGaffey
This 1950-60s ink drawing on paper of a Victorian-Gothic style house is by Bay Area artist Alysanne McGaffey (1931-2018). Born in Seattle, McGaffey moved to San Francisco in the mid 1950s to study at SFAI with Bay Area Figurative pioneers Joan Brown, Nathan Oliveira, Jay DeFeo, Bruce McGaw, and Manuel Neri. McGaffey had a one-wo classes at CCAC and UC Berkeley, and received an MFA in Painting from the University of San Francisco. She became involved in community arts organizations, holding offices in several, including the Coastal Arts League and Pacifica's Cultural Arts Commission. Eventually McGaffey's gaze moved from the figure to the landscape, and she spent the last thirty years traveling the Northern California coast painting watercolor seascapes.
1950-60s
Ink on Paper
15.75"x19.75" framed, 8.5"x11" unframed
Signed lower right. Excellent vintage condition. Framed in a restored vintage wood frame with a light creamy-pink finish using white museum-style archival matting behind conservation clear glass.
This 1950-60s ink drawing on paper of a Victorian-Gothic style house is by Bay Area artist Alysanne McGaffey (1931-2018). Born in Seattle, McGaffey moved to San Francisco in the mid 1950s to study at SFAI with Bay Area Figurative pioneers Joan Brown, Nathan Oliveira, Jay DeFeo, Bruce McGaw, and Manuel Neri. McGaffey had a one-wo classes at CCAC and UC Berkeley, and received an MFA in Painting from the University of San Francisco. She became involved in community arts organizations, holding offices in several, including the Coastal Arts League and Pacifica's Cultural Arts Commission. Eventually McGaffey's gaze moved from the figure to the landscape, and she spent the last thirty years traveling the Northern California coast painting watercolor seascapes.
1950-60s
Ink on Paper
15.75"x19.75" framed, 8.5"x11" unframed
Signed lower right. Excellent vintage condition. Framed in a restored vintage wood frame with a light creamy-pink finish using white museum-style archival matting behind conservation clear glass.
