Inspiration:
Georgette London Owens (b. 1920), Paris-New York-San Francisco artist featured at Lost Art Salon
“Georgette is one of those artists who found themselves right in the middle of the two art worlds of the 20th Century. She studied and produced art in Paris during WWII and immigrated to New York when the war ended where she worked as an artist and interior decorator. As soon as I discovered her work and story, I became fascinated with the artistic path she followed. She had both feet in the School of Paris and the School of New York. Her many anecdotes and stories were art history to me. She had studied at the famous École des Beaux Arts in Paris. She also took classes for several years under the famous cubist teacher André Lhote, close friend of Picasso. But what she enjoyed the most was painting the model with other independent artists at the
Académie de la Grande Chaumière, benefiting from an inspiring climate of imaginative cross-fertilization happening in Paris at that time. When I visited the
Académie I felt transported into that School of Paris myself. Everything felt unchanged. At that time, Georgette had a studio nearby in Montparnasse across from the studio of the famous Italian artist Giacometti. She was part of a group of artists called “L’échelle” (The Ladder). None of them were famous but all became important members of what we call today L’École de Paris, deuxième génération (second generation). I became obsessed with their work. L’École de Paris meets Abstract Expressionism New York. I started to explore abstraction (commonly known as
l’art lyrique in France) in my own work under the influence of this second generation of immigrant artists who came to Paris and French artists who stayed in Paris to paint the abstrait: Nicolas de Staël (Belgium), Hans Hartung (Germany), Serge Poliakoff (Russia), Alfred Manessier (French), to name a few. I walked the “
passages” or small streets of Montparnasse where many had their artist studios, photographing ateliers for the most part transformed today into luxury apartments. Georgette had showed her work at Parisian galleries in that same neighborhood and even had Picasso himself attend her vernissage and congratulate her on her work. She was an artist in Paris when Picasso, Brancusi, Modigliani, Braque, Chagall, Soutine, Miró were still leading figures of the first generation of the School of Paris.”